Box Office

Jane Schoenbrun’s film, I Saw Then TV Glow, has seen a significant increase in box office earnings in its second week, with an estimated $195k+ on 21 screens. This expansion marks a successful rollout, driven by a passionate fan base particularly among young, male, and LGBTQ+ audiences. The gender-bending supernatural thriller is set to continue
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AMC Entertainment is currently grappling with a significant financial challenge in the form of a $4.5 billion debt, with a large portion of it maturing in 2026. The company’s CEO, Adam Aron, recently addressed this issue during a post-earning conference call, revealing that AMC has been engaged in discussions with lenders for almost a year
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The journey to bring a live-action Barbie movie to the big screen was undoubtedly a long and winding road. With various studios and producers attached to the project over the years, including big names like Anne Hathaway and Amy Schumer, the path to realizing Barbie’s potential as a movie franchise was fraught with challenges. However,
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Universal’s recent release, “The Fall Guy,” starring Ryan Gosling and Emily Blunt, had a lackluster start at the box office, pulling in $3.15M from early showings and Wednesday advance screenings. The movie is projected to make around $35M-$40M over its opening weekend. This sluggish start can be attributed to delays in the production of feature
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In the realm of blockbuster movies, the importance of a theatrical release cannot be overstated. Despite the rise of streaming platforms and the convenience they offer, studios have come to realize that there is nothing more profitable than a traditional theatrical release and the downstream revenue streams that follow. This realization has been especially prominent
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In a time where studios were experimenting with different release strategies due to the Covid-19 pandemic, Universal took a gamble on Christopher Nolan’s World War II-set film, Oppenheimer. Despite initial skepticism about the movie’s potential, Universal decided to invest $100 million in the production. The decision to open Oppenheimer in theaters rather than opt for
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In recent years, the landscape of movie distribution has undergone significant changes, especially with the rise of eventized movies such as concert films. With the onset of the Covid-19 pandemic, studios began to embrace the theatrical day-and-date model as cinemas closed. However, the realization that theatrical releases bring in more profits and downstream revenues became
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Uberto Pasolini’s film Nowhere Special, starring James Norton, has captivated audiences with its emotional depth and honesty. Pasolini acknowledges that the heart of the film lies in the genuine bond portrayed between father and son. Norton’s portrayal of John, a single father facing a terminal illness, is powerful and moving alongside the young Daniel Lamot
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