Box Office

The battle for the box office crown between Warner Bros’ Furiosa and Alcon/Sony’s The Garfield Movie has been intense over the long weekend. Both films are currently neck and neck, aiming for around $31 million over four days and $25 million over three days. Surprisingly, Garfield seems to have the upper hand, slightly edging out
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In the midst of a changing cinematic landscape, Sean Baker recently accepted the prestigious Palme d’Or for his latest movie, Anora, at the Cannes Film Festival. During the awards press conference, Baker took the opportunity to advocate for the survival of traditional theaters, expressing his desire for his movies to be shown on the big
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One of the recent films that have made a splash in limited release is Marco Bellocchio’s *Kidnapped: The Abduction of Edgardo Mortara*. Set in mid-19th century Bologna, the film tells the true story of a six-year-old Jewish boy who was abducted by the Catholic Church in 1858. The boy, Edgardo, was taken to Rome and
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The weekend box office seems to be facing some challenges despite the availability of more movies in the market. Moviegoers are still hesitant to return to theaters, resulting in a lackluster response to new releases. The two movies released this weekend, a prequel/spinoff featuring a new actress to a beloved cult movie and a family
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Broadway’s just-ended 2023-2024 season saw a total attendance of about 12.3 million, with 71 productions on the boards grossing a combined $1.54 billion. These figures show a small decrease from the previous season, with the average ticket price settling at $125.27. Despite the relatively stable numbers, Broadway’s attendance remains nearly 17% below pre-pandemic levels. The
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Paramount’s release of John Krasinski’s film, IF, has seen success in the international box office, grossing $20M in the overseas market. The positive word of mouth surrounding the film is likely to contribute to its playability in the coming weeks. The film opened at No. 1 in the UK with $3.2M, quickly becoming a standout
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Imax is gearing up for its largest “filmed for Imax” slate in 2025, with at least 14 titles currently in production using Imax film or Imax-certified digital cameras. This represents a significant increase from previous years, showcasing the growing interest from Hollywood and international filmmakers in creating content specifically for the Imax platform. Despite Imax
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As Broadway’s spring season progresses, it is evident that the Tony season box office ranking is starting to take shape. The strongest newcomers are holding their ground, with repeat sell-outs like An Enemy of the People, Cabaret at the Kit Kat Club, and Hell’s Kitchen leading the pack. These shows, along with The Outsiders and
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